Soprano
20
UN BALLO IN MASCHERA
Conductor: Stefano Cascioli
Production: Katharina Kastening
Set and costume designer: Hank Irwin Kittel
05
MARÍA DE BUENOS AIRES
Conductor: Stefano Cascioli
Production: Stephanie Kuhlmann
Set and costume designer: Hank Irwin Kittel
12
UN BALLO IN MASCHERA
Conductor: Hermes Helfricht
Production: Katharina Kastening
Set and costume designer: Hank Irwin Kittel
The Italian-Argentinian coloratura soprano, born in Buenos Aires in 1997, studied classical singing at the Universidad Nacional de las Artes.
Since the 2022/23 season, she has been a member of the ensemble at Theater Erfurt, where she has performed a wide range of roles. These include Pamyra in Le siège de Corinthe (Rossini), Musetta in La Bohème (Puccini), Lauretta in Gianni Schicchi (Puccini), Oscar in Un ballo in maschera (Verdi), Zerlina in Don Giovanni (Mozart), Gretel in Hänsel und Gretel (Humperdinck), and María in María de Buenos Aires (Piazzolla).
In the 2026/27 season, she will make her debut as Rosalinde in Die Fledermaus (Strauss) and will reprise the role of Gretel.
La soprano lírica de coloratura ítalo-argentina, nacida en Buenos Aires en 1997, estudió canto lírico en la Universidad Nacional de las Artes.
Desde la temporada 2022/23, es miembro del elenco del Theater Erfurt, donde ha interpretado una amplia variedad de roles. Entre ellos se encuentran Pamyra en Le siège de Corinthe (Rossini), Musetta en La Bohème (Puccini), Lauretta en Gianni Schicchi (Puccini), Oscar en Un ballo in maschera (Verdi), Zerlina en Don Giovanni (Mozart), Gretel en Hänsel und Gretel (Humperdinck) y María en María de Buenos Aires (Piazzolla)
Para la próxima temporada 2026/27 debutará como Rosalinde en Die Fledermaus (Strauss) y reinterpretará a Gretel.
Il soprano di coloratura italo-argentino, nato a Buenos Aires nel 1997, ha studiato canto lirico presso la Universidad Nacional de las Artes.
Dalla stagione 2022/23 è membro dell’ensemble del Theater Erfurt, dove ha interpretato un’ampia varietà di ruoli. Tra questi Pamyra in Le siège de Corinthe (Rossini), Musetta in La Bohème (Puccini), Lauretta in Gianni Schicchi (Puccini), Oscar in Un ballo in maschera (Verdi), Zerlina in Don Giovanni (Mozart), Gretel in Hänsel und Gretel (Humperdinck) e María in María de Buenos Aires (Piazzolla).
Nella stagione 2026/27 debutterà nel ruolo di Rosalinde in Die Fledermaus (Strauss) e interpreterà nuovamente il ruolo di Gretel.
La soprano colorature italo-argentine, née à Buenos Aires en 1997, a étudié le chant lyrique à la Universidad Nacional de las Artes.
Depuis la saison 2022/23, elle est membre de l’ensemble du Theater Erfurt, où elle a interprété une grande variété de rôles, notamment Pamyra dans Le siège de Corinthe (Rossini), Musetta dans La Bohème (Puccini), Lauretta dans Gianni Schicchi (Puccini), Oscar dans Un ballo in maschera (Verdi), Zerlina dans Don Giovanni (Mozart), Gretel dans Hänsel und Gretel (Humperdinck) et María dans María de Buenos Aires (Piazzolla).
Pour la saison 2026/27, elle fera ses débuts dans le rôle de Rosalinde dans Die Fledermaus (Strauss) et reprendra le rôle de Gretel.
Die italienisch-argentinische Koloratursopranistin, geboren 1997 in Buenos Aires, studierte Gesang an der Universidad Nacional de las Artes.
Seit der Spielzeit 2022/23 ist sie Ensemblemitglied am Theater Erfurt, wo sie eine Vielzahl von Rollen interpretiert hat. Dazu zählen Pamyra in Le siège de Corinthe (Rossini), Musetta in La Bohème (Puccini), Lauretta in Gianni Schicchi (Puccini), Oscar in Un ballo in maschera (Verdi), Zerlina in Don Giovanni (Mozart), Gretel in Hänsel und Gretel (Humperdinck) sowie María in María de Buenos Aires (Piazzolla).
In der Spielzeit 2026/27 debütiert sie als Rosalinde in Die Fledermaus (Strauss) und wird erneut die Rolle der Gretel interpretieren.
News & Press
"Candela Gotelli (Oscar) mastered the numerous coloratura passages with a bright, resonant, and crystal-clear soprano. Her agile voice expresses the joie de vivre of the charming page with sparkling virtuosity and great irony." by Larissa Gawritschenko and Thomas Janda
"Candela Gotelli lends María her voice and lyrical presence, shifting between tenderness and despair. Her acting and singing captivate the audience with depth and powerful emotion. She doesn’t just play the role — she lives it! Her performance is so expressive that it often reaches deep into the hearts of the audience and leaves no one untouched." by Larissa Gawritschenko and Thomas Janda
"The Argentine soprano Candela Gotelli, as Musetta, manages to steal the show in her aria “Quando me’n vo’” with charm, wit, and vocal brilliance. Her performance is lively, captivating, and delightfully humorous." by Larissa Gawritschenko and Thomas Janda
"At the premiere of La Bohème, the soloists impressed, with Candela Gotelli standing out as Musetta.
Musetta is sung by Candela Gotelli with a mature, beautiful voice that also playfully gives the character depth… Gotelli has beautifully and interestingly developed the role." by Stefan Petraschewsky
"Candela Gotelli is a force with her golden soprano and her impressive stage presence." by Roland H. Dippel
"Candela Gotelli from the in-house ensemble had to learn the role of Pamyra in a relatively short time. The result is even more amazing! The soprano impresses with her girlish charm. Her crystal-clear coloratura inspires with the naturalness of her delivery and the purity of her sound. Nothing seems trying or even fake. Even in the powerful ensemble scenes, the voice has radiance." by Christoph Suhre
"In "Telemaco" Gotelli's coloratura is made of polished and therefore dazzling iron." by Roland H. Dippel
Volta la terrea
